Great Movies
TV/Streaming
Home Entertainment Guide: January 2021
The latest on Blu-ray, DVD, and streaming services includes Dreamland, Synchronic, Jungleland, and Criterion editions of Amores Perros, Crash, and Minding the Gap.
The latest on Blu-ray, DVD, and streaming services includes Dreamland, Synchronic, Jungleland, and Criterion editions of Amores Perros, Crash, and Minding the Gap.
Sheila writes: San Francisco-based Jenny Parks is a scientific illustrator, who specializes in drawing wildlife, animals, dinosaurs. She also loves science fiction and cats. The bio on her website states: "Somehow, she found herself with a bit of internet fame with the illustration ‘Doctor Mew’, and has been baffled ever since. With a BFA in illustration from the California College of the Arts, and a graduate degree in Science Illustration from UC Santa Cruz, she now resides in San Francisco as a freelance illustrator, fulfilling her destiny to make a living drawing cute, fuzzy things." Her "Catvengers" series has been linked to all over the place, and I find them whimsical and hilarious. Behold Jenny Parks' Cat-Hulk. See more of her cat series by clicking the "Cats" tab on her site.
"There is sin and evil in the world, and we're enjoined by Scripture and the Lord Jesus to oppose it with all our might. Our nation, too, has a legacy of evil with which it must deal." -- Ronald Reagan, in the 1983 "Evil Empire" speech, quoted in Matt Reeves' "Let Me In"
It was the pre-nuclear winter of our discontent. The Cold War was at its coldest since the Cuban Missile Crisis. Jonathan Schell's 1981 New Yorker series about the catastrophic climatic effects of a full-scale nuclear war became a best-selling book, "The Fate of the Earth," in 1982. By 1983, with the escalation in rhetoric between Ronald Reagan and Soviet leaders, movies like Lynne Littman's "Testament" and Nicholas Meyer's "The Day After" -- one a bleak art-house drama; the other a network television nightmare -- were dealing seriously with the prospect of American life in the wake of atomic armageddon, as if to prepare us for the inevitable.
It was one of the darkest periods in modern American history (being too young to remember the Cuban Missile Crisis, I recall only the aftermath of 9/11and the invasion of Iraq with comparable feelings of doom). And the snowy, barren landscapes of (where else?) Los Alamos, New Mexico, provide the Americanized setting for Matt Reeves' "Let Me In," a remake of Tomas Alfredson's magnificent Swedish horror film, Let the Right One In" (2008).
The grand Poobah writes: I have been assured by many posters on my video games blog entry that it took decades for the cinema to gain recognition as an art form. Untrue. Among the first to admire it was Leo Tolstoy, and I reprinted his late 19th-century reaction in my Book of Film. In 1908, Tolstoy and his family appeared in an early motion picture, and if you saw The Last Station (2009) you may want to compare your memories with the real thing. Here is some information about those in the film.
The Last Station (2009) Director Michael Hoffman. Cast: James McAvoy, Helen Mirren, Christopher Plummer, Paul Giamatti and Kerry Condon."The Last Station" focuses on the last year of Count Tolstoy (Christopher Plummer), a full-bearded Shakespearian figure presiding over a household of intrigues. The chief schemer is Chertkov (Giamatti), his intense follower, who idealistically believes Tolstoy should leave his literary fortune to the Russian people. It's just the sort of idea that Tolstoy might seize upon in his utopian zeal. Sofya (Helen Mirren), on behalf of herself and her children, is livid." - Ebert. You can read Roger's full review HERE.
TELLURIDE, Colo.--Some sort of symbolic divide was crossed here Friday, on the opening night of the 28th Telluride Film Festival, when the Telluride Medal was presented to Colin Collender, head of HBO Films.
