Thirty years after its release, this multi-platinum collection of classic rock and R&B feels like a relic—both of the musical period it celebrates and an era when people actually bought movie soundtracks.
Now streaming on Netflix after years of being hard to find, the pop singer’s infamous 2002 film remains hokey and cheesy. So why does it play differently today?
On some of the best craft of the year in film, including The Boy and the Heron, The Holdovers, All Dirt Roads Taste of Salt, Poor Things, and many more.
On some of our favorite performances of the last year in film.
On the use of music in Martin Scorsese's Mean Streets, which just turned 50.
Matt writes: All of us at RogerEbert.com are pleased to welcome Robert Daniels as the new Associate Editor of our site.
Matt writes: Last week, RogerEbert.com held its third annual Black Writers Week in honor of Juneteenth.
Our writers pick some of their favorite 2022 performances.
We asked ten contributors to pick three films from 2022 that they think everyone should see before making their top ten lists of the year. These are the choices of Clint Worthington.
An article spotlighting the new trend to present movies to see only in theaters including five films we recommend seeing now and two films we are looking forward to seeing in theaters soon.
An annotated table of contents spotlighting all the writers contributing to Women Writers Week 2022 at RogerEbert.com.
Matt writes: The College of Media at the University of Illinois Urbana-Champaign recently announced that the Roger Ebert Center for Film Studies will officially launch this year, with programming to begin in Fall 2022.
An annotated table of contents spotlighting all the writers contributing to Women Writers Week 2021 at RogerEbert.com.
Great Movies
