In honor of its 25th anniversary re-release, we look at the George Lucas movie’s greatest legacy: paving the way for studios to extend their aging franchises by telling origin stories.
In his new comedy Lousy Carter, the Numb3rs star plays a miserable middle-aged man with six months to live. He talks about battling loneliness, his memories of Heath Ledger, and why he decided to start telling stories about his Hollywood misadventures on Twitter.
Favored to win an Oscar for Oppenheimer, the actor is poised to cement one of Hollywood’s greatest comeback stories—which, back when he was battling addiction, didn’t seem possible.
Our predictions for the winners at Sunday night's Academy Awards.
As of this writing, Todd Phillips’ “Joker” has earned nearly $1 billion globally, making it one of the most successful comic book movies ever released. But the discourse surrounding it will outlive this moment. No comic book-derived film since “Black Panther” has sparked more commentary, although the discussion surrounding this one has been more oppositional than anything else, and clouded by bad faith on every side.
A look back at the creation of 10 Things I Hate About You, which celebrated its 20th anniversary on March 31.
Emer Kinsella on "Jungle"; Zadie Smith on social media; John Landis on "Innocent Blood"; "Josie and the Pussycats" was ahead of its time; "The Florida Project" is one of the year's best films.
Reviews of three documentaries playing at the Tribeca Film Festival: "I Am Heath Ledger," "The Reagan Show" and "The Departure."
Matt writes: Ebertfest 2017 is almost upon us, and Chaz Ebert has penned an in-depth preview of the screenings, guests and panels scheduled for this year's festival, running Wednesday, April 19th, through Sunday, April 23rd. "All in the Family" creator Norman Lear, Oscar-nominee Isabelle Huppert and trailblazing filmmaker Charles Burnett are among the artistic giants who will presenting their work in-person at the Virginia Theatre in Champaign, Illinois.
At the ripe age of 89, Oscar can still be a notoriously picky fellow when it comes to what constitutes a contender for Best Picture.
Gilbert Gottfried's amazing podcast; Michelle Obama's inspiration; Where have all the villains gone; Sand fire destroys famed ranch; Danny DeVito on "The Ratings Game."
A great collection of new Blu-ray releases, including "Green Room," "Night and Fog," "Everybody Wants Some!!" and "OJ: Made in America."
A video interview with George Miller, director of "Mad Max: Fury Road."
Memories of over a decade going to the Sundance Film Festival and tips for newcomers.
A piece by contributor Matt Fagerholm that connects "Prairie Home Companion," "Synecdoche, New York," and "Life Itself" in the sweet by and by.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Marie writes: The unseen forces have spoken! The universe has filled a void obviously needing to be filled: there is now a font made entirely of cats. Called Neko Font (Japanese for "cat font") it's a web app that transforms text into a font comprised of cat pictures. All you need to do is write something in the text box, press "enter" on your keyboard and Neko Font instantly transforms the letters into kitties! Thanks go to intrepid club member Sandy Kahn for alerting the Ebert Club to this important advancement in typography. To learn more, read the article "There is now a font made entirely of cats" and to test it out yourself, go here: Neko Font. Meanwhile, behold what mankind can achieve when it has nothing better to do....
"With great power, comes great responsibility." How many times have we superhero fans heard this line, let alone understand its implications? Do we really take to heart how much sacrifice such heroism involves, or comprehend what would be at stake? Superhero films tend to glorify ability over altruism. That is after all the main reason why we flock to the genre, to see amazing sights never seen before. But one film is special in how it focuses on the gravity of selflessness in spite of such might. And it does so not by showcasing its hero's greatness, but his ordinariness. It's Sam Raimi's "Spider-Man 2."
"Gotham's time has come. Like Constantinople or Rome before it, the city has become a breeding ground for suffering and injustice. It is beyond saving and must be allowed to die. This is the most important function of the League of Shadows. It is one we've performed for centuries. Gotham... must be destroyed." -- Ra's al Ghul (Ken Watanabe), "Batman Begins" (2005)
"Over the ages our weapons have grown more sophisticated. With Gotham we tried a new one: economics.... We are back to finish the job. And this time no misguided idealists will get in the way. Like your father, you lack the courage to do all that is necessary. If someone stands in the way of true justice, you simply walk up behind them... and stab them in the heart." -- Ra's al Ghul (Liam Neeson), "Batman Begins" (2005)
"You see, their morals, their code, it's a bad joke, dropped at the first sign of trouble. They're only as good as the world allows them to be. I'll show you. When the chips are down, these civilized people, they'll eat each other." -- The Joker (Heath Ledger), "The Dark Knight" (2008)
"Terror is only justice: prompt, severe and inflexible; it is then an emanation of virtue; it is less a distinct principle than a natural consequence of the general principle of democracy, applied to the most pressing wants of the country." -- Maximilien Robespierre, 1794
"I am Gotham's reckoning... I'm necessary evil.... Gotham is beyond saving and must be allowed to die." -- Bane (Tom Hardy), echoing his former master in "The Dark Knight Rises" (2012)
- - - - -
(You've seen "The Dark Knight Rises" by now, right? Good. I'm going to discuss a few things that I would consider spoilers, albeit mild ones, and then get to some pretty big spoilers later on, before which I will offer an additional warning, just in case.)
- - - - -
The villains of Christopher Nolan's "Batman" movies don't think very highly of "ordinary citizens" (now popularly referred to as "the 99 percent"), whom they tend to view as mindless savages, slaves to fear who'll claw one another and the city of Gotham to shreds at the slightest provocation. The films themselves sometimes confirm that view (Gothamites get a little panicky in "The Dark Knight" when they fear that Batman is not keeping the crime rate down) and sometimes don't (they choose not to blow themselves up in the Joker's intricately planned ferry experiment). This isn't really a theme that's developed in the movies, but like most of the political and social references, it's something that's... there.
Great Movies
