Interviews
Upon Reflection: Andrew Haigh on All of Us Strangers
An interview with the writer/director of All of Us Strangers, Lean on Pete, and 45 Years.
An interview with the writer/director of All of Us Strangers, Lean on Pete, and 45 Years.
A feature on the major question in each of the big categories after what we learned from TIFF, Venice, and Telluride.
An article about the Ebert Symposium preceding Ebertfest 2023 on Tuesday, April 18th, and Wednesday, April 19th.
Is it paint-by-numbers if a virtuoso holds the brush?
Taron Egerton plays Elton John in a biopic that turns into a full camp extravaganza.
An interview with director and adapting writer Tim Sutton about his divisive new film, Donnybrook.
Reviews from the Toronto International Film Festival on the latest by Tim Sutton and Paul Greengrass.
The 20 films world premiering at the Toronto Film Festival that you can expect to find covered here over the next week, among many others.
Chaz Ebert lists her favorite films of 2017.
Jana Monji reports on the screenings and atmosphere at this year's AFI FEST.
A report on some good films coming your way from Telluride and Toronto this year.
Premieres at this weekend's Telluride Film Festival include the latest from Alexander Payne, Errol Morris, Greta Gerwig, Angelina Jolie, Guillermo del Toro and more.
Sheila writes: Todd Sanders is a self-taught neon sign artist. Roadhouse Relics, the gallery of his work in Austin, Texas, is filled with his beautiful vintage-inspired signs. His designs are all hand-drawn. He collects old magazines from the 1920s, 1930s, etc., to get inspiration for his neon signs. He does custom signs as well. You can check out Sanders' work, bio, and press kit at Roadhouse Relics. Neon brings up all kinds of automatic images and associations: seedy hotels, burlesque joints, cocktail bars. His signs evoke those images, but much more. For instance, look at his beautiful "Fireflies In a Mason Jar".