Richard Linklater’s new Netflix comedy is just the latest illustration of how we idolize and idealize big-screen assassins—even though the characters rarely live up to our image of them as super-cool killers.
The latest on Blu-ray and streaming includes Lisa Frankenstein, The Beekeeper, and Criterion editions of Picnic at Hanging Rock and Dogfight.
Andrew Scott steps into the shoes of Tom Ripley for this Steven Zaillian Netflix mini-series, and offers a new, accomplished take on the classic Patricia Highsmith character.
The Bourne Identity director made headlines by threatening to boycott the premiere of his new movie, Road House. It’s just the latest example of how this idiosyncratic filmmaker can often be his own worst enemy—even when his movies end up being great.
From Raging Bull to Killers of the Flower Moon, we salute a murderers’ row of award-worthy films.
A look at the eight major categories and what our Oscar expert thinks is getting nominated.
A look at how Saltburn plays with the passing narrative of films like Chameleon Street, Gattaca, and The Talented Mr. Ripley.
A feature on the major question in each of the big categories after what we learned from TIFF, Venice, and Telluride.
A feature on 25 of the best films released so far this year.
An article about how Ben Affleck's new film, "Air," celebrates Michael Jordan's mother, Deloris (Mrs. Jordan).
An article about the Ebert Symposium preceding Ebertfest 2023 on Tuesday, April 18th, and Wednesday, April 19th.
On two dozen of our favorite performances of 2021.
On the latest Blu-ray and streaming releases, including The Protégé, Respect, Candyman, and Jungle Cruise.
An annotated table of contents featuring Chaz Ebert's video dispatches from the 2021 Cannes Film Festival.
Our latest video dispatch from Cannes includes coverage of new films by Sean Penn and Tom McCarthy.
On three films that premiered at Cannes this week, including the latest from Ari Folman and Tom McCarthy.
Great Movies
