People forget that the ‘Martin’ star got top-billing over Will Smith. Here’s a look back at how big he was back then.
The Bourne Identity director made headlines by threatening to boycott the premiere of his new movie, Road House. It’s just the latest example of how this idiosyncratic filmmaker can often be his own worst enemy—even when his movies end up being great.
A guide to the latest and greatest on Blu-ray and streaming, including Evil Dead Rise, Avatar: The Way of Water, John Wick: Chapter 4, and a 4K release of The Rules of the Game.
On the filmmaking career of Taylor Swift, who spoke about her All Too Well: The Short Film at TIFF this month.
Our series on underrated movies gets to the latest from Michael Bay.
The newest releases on physical media, including The Bad Guys, Ambulance, The Northman, Everything Everywhere All at Once, and Criterion editions of The Tales of Hoffman and Shaft.
The bios and headshots for our esteemed guests at Ebertfest 2022.
A review of Age of Cage by Keith Phipps with quotes from Roger Ebert about the work of Nicolas Cage.
The best films of 2020, according to each individual contributor.
A dispatch of three reviews from Sundance, including the latest by Under the Shadow director, Babak Anvari.
A look ahead at the films set to come out in the fall season, starring ten of our most anticipated titles.
“A Quiet Place” is John Krasinski’s breakthrough as a triple-threat entertainer, but it’s been a long time coming.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
Great Movies
