Savior Complex

Well-made and infuriating, HBO’s three-part documentary “Savior Complex” tells the story of Renee Bach, No White Saviors, and Serving His Children. It's a fascinating melting pot of colonialism, charity, outrage, class, race, privilege, and naivete, but what really elevates it into a conversation starter is how much it refuses to provide easy answers. People who go in convinced that Bach is a hideous monster on the level of Hitler will likely find enough to justify maintaining that opinion; people who believe she has been a victim of activist hypocrisy masquerading as justice will probably continue to take that stance. "Savior Complex" is a remarkably detailed examination of this shocking case that answers most viewer questions as they arise by segueing back and forth from Bach’s story to the other people involved in this tale, intercut with sharp, revealing footage. And it never lets Bach off the hook, countering her claims with heartbreaking eyewitness testimony, showing how no one has the full picture here.

Renee Bach was just a teenager when she went on a missionary trip to Uganda, finding her purpose in Africa. After working at an orphanage, she decided to start her own charity in the district of Jinja, opening up a facility for malnourished children in an area of the world where nutrition and disease are constant concerns. She registered her new NGO (non-government organization) under the name of Serving His Children and hired a staff. Two things are undeniably true about what would happen next, despite conflicting viewpoints on motive and even moral & legal responsibility. 1.) Bach saved the lives of children in the area. Some mothers attest to that fact. 2.) Bach started performing medical procedures for which she was not qualified, even admitting she often used “gut feeling” instead of expertise. Over a hundred Ugandan children died, and the number is arguably much higher.

When an American registered nurse named Jackie Kramlich went to work at SHC, she was stunned by what she saw, including a lack of education and unsanitary conditions. In interview segments in “Savior Complex,” she gives compelling eyewitness accounts of Bach seemingly nonchalantly giving medicine injections and administering IV drips dangerously. Other employees accuse Bach of ignoring the advice and orders of qualified, educated Ugandan nurses and doctors. The thought that Bach dismissed a well-founded medical opinion because of a gut feeling that led to even one child’s death is unconscionable. The startling dynamic at SHC forced Kramlich to resign, but she felt further action was needed when an employee reported that the conditions were getting worse. That’s when No White Saviors got involved.

No White Saviors is an organization that directly compares missions like Bach’s to colonialism, the infiltration by people who think themselves superior to the one they’re helping and use that position to control them. Director Jackie Jesko doesn’t avoid the idea that Bach was a part of this vile ancient tactic, using her position as a powerful American white woman to bring her vision of God to the people of Uganda, no matter the human cost. And Jesko doesn’t hammer it as much as some other filmmakers might have. She very smartly allows Bach to reveal her own blinders at times, even including a scene in which Bach doesn’t know how to pronounce neocolonialism, a moment almost too good to be real in documentary terms. Jesko also hints at a really interesting idea regarding how young white women take power in missionary structures worldwide because they can do so more easily than in male-dominated American ones. Bach doesn’t seem to comprehend any underlying issues like this in her story, defending herself on purely human terms and frustratingly dismissing the systemic concerns at play.