Before Meet the Parents established the Raging Bull Oscar-winner as a comedy superstar, this 1999 hit first signaled De Niro’s pivot from serious to funny, for better or worse.
An interview with director/co-writer Dave Franco and co-writer/star Alison Brie about their new romantic comedy, "Somebody I Used to Know."
Tony's is a story of modern American masculinity, middle-aged sordidness and sorrow; he is saggy around the gut, bruised at the knuckles, and tender in the heart.
The first theatrical feature film written and directed by David Chase, the creator of “The Sopranos,” is an autobiographical tale about the formation of an artistic sensibility. John Magaro plays Doug Damiano, a northern New Jersey teenager whose father Pat (James Gandolfini) is a hot-tempered, Archie Bunker-style reactionary who suffers from psoriasis, and whose mother Antoinette (Molly Price) is a depressive who regularly threatens to kill herself. The movie is narrated by Doug’s sister Evelyn, played by Meg Guzulescu, in the manner of a third-person novel, packing three films’ worth of incident into an hour and 50 minutes yet somehow never feeling rushed.
Part II of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018.
Part I of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018. We will include the film critics in a separate round-up.
A gallery of photos, videos and links illustrating Chaz's journey relating to Roger's legacy in the two years since his death.
A piece on the latest and greatest new on Blu-ray and new to Netflix, including "Joe," "Fury," "The Judge," and Criterion editions of "My Winnipeg" and "The Palm Beach Story."
Lists from our critics and contributors on the best of 2014.
The studios use screeners to help Academy voters and critics groups catch up on films they might have missed. So why are studios withholding certain films and pushing others?
Missing Roger's Oscars prognostications and his top ten lists. And making a list of my own.
The Oscars race has hit a holiday lull. It's a good time to pause and take stock of nominations.
Critics groups from around the country are giving awards. What impact do these awards have on the Oscar race, and how useful are they as predictors?